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Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color
This page looks at the impact of the camera profile used when converting Leica M11 DNG raw files in Adobe Camera Raw.
The oft-stated idea that “camera X has good color” is shown to have dubious merit unless all factors are equalized, which might be quite difficult. Simply changing the Camera Profile results in dramatically different results and even changing the color temperature precisely to match does not produce anywhere near the same rendition.
Example — Pumpkins in Sunlight
Adobe Camera Raw 14.1.0.993. View ACR Settings.
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Diglloyd Guide to Leica is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to LEICA contains in-depth coverage of Leica M system cameras and lenses, with additional coverage of Leica M Monochrom, Leica Q.
Special emphasis is placed on Leica M lenses and certain Zeiss ZM lenses.
- Make better images by learning how to get the best results right away.
- Save money by choosing the right lens for your needs the first time, particularly the Summilux/Summicron/Elmarit choice and/or Zeiss ZM.
- Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning. Processing parameters are discussed and shown.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops [past 2 years or so].
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Leica.
